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UDC 82.161.1(575.1)
https://doi.org/10.20339/PhS.6s-22.100
Garipova Gulchira T.,
Doctor of Philology, Associate Professor,
Professor of the Russian Literature Department
Moscow City Pedagogical University;
Professor of the of Russian and Foreign Philology Department
Vladimir State University named after A.G. and N.G. Stoletovs
ORCID: 0000-0002-7675-2570
elibrary SPIN-код: 1926-8676
e-mail: ggaripova 2017@yandex.ru
The article examines the specifics of structuring direct receptions and transcultural references in the artistic hierotopic project of Hamid Ismailov, in particular in the system of the onomasticon of the title in the novel “Mbobo”. The author focuses on the modern identification crisis of phenomena associated with the world-modeling strategies of the national picture of the world of polydomic writers by means of a “different” culture — lingual, figurative, mythopoetic. Researcher introduces the concept of hierotopy “image-paradigm” into the methodology of intertextual literary analysis, identifies its symbolic concenter “word” and correlates the semiotic and semantic meanings of the title of the novel and individual chapters with a number of obvious and non-obvious intertexts and metatexts — national onomastic tradition, literary tradition, socio-cultural and religious connotations, etc.
Keywords: “Mbobo”, onomasticon, image-paradigm, word, transcultural literature, artistic hierotopia, Hamid Ismailov, underground consciousness
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