Your shopping cart is empty.
Log in

Biography and creativity of M.Yu. Lermontov in poetic reflection by G.V. Ivanov (based on the material of emigrant lyrics)

N.G. Koptelova
80,00 ₽

UDC 821.161.1.091-3

https://doi.org/10.20339/PhS.6-22.100        

 

Koptelova Natalya G.,

Doctor of Philology,

Professor of the Domestic Рhilology Department

Kostroma State University

 

Based on the material of G.V. Ivanov’s emigrant lyrics, the author examines some content-formal features of his poetic reflection aimed at comprehending the biography and creativity of Lermontov. Its evolution, functions and methods of artistic embodiment are characterized. It is shown that this creative reflection forms the Lermontov code of Ivanov’s poetics, which participates in the process of Ivanov’s cultural self-identification and ensures the creation of a special “ensemble unity” in his diary lyrics. The interpretation of images and motifs perceived from Lermontov in Ivanov’s foreign poetry is invariably accompanied by the leitmotif of a plucked and withering rose, which plays the role of a kind of semantic accompaniment. The archetype of the rose is interpreted by Ivanov in the key of the Dante tradition: as a sign of involvement in the world of creative choice and beauty. At the same time, the image of a withering rose in Ivanov’s “Lermontov” poems, as well as in the space of all his emigrant poetry, symbolizes beauty broken by the elements of evil. Most often, Ivanov’s poetic reflection results in a lyrical dialogue with Lermontov, expressed in an intertextual game. The specificity of Ivanov’s artistic reflection is largely determined by his ecphrastic worldview. The phenomenon of Lermontov is revealed to Ivanov through the prism of the creative individuality of his favorite painters: Watteau and Vrubel, who are perceived as spiritual and creative counterparts of the great Russian poet of the 19th nineteenth century. The evolution of Ivanov’s poetic reflection, focused on understanding Lermontov’s biography and creativity, is generally subject to existential intention and is associated with the trend of ironic and parodic development of the Lermontov tradition.

Keywords: G.V. Ivanov, M.Yu. Lermontov, A. Watteau, M.A. Vrubel, poetic reflection, emigrant lyrics, rose motif, intertextuality, ekphrastic worldview, irony.

 

Rеferences

1. Tyupa V.I., Bak D.P. Evoliutsiia khudozhestvennoi refleksii kak problema istoricheskoi poetiki // Literaturnoe proizvedenie i literaturnyi protsess v aspekte istoricheskoi poetiki: mezhvuz. sb. nauch. tr. / otv. red. V.I. Tyupa. Kemerovo: Izd-vo KGU, 1988. S. 4–15.

2. Bak D.P. Istoriia i teoriia literaturnogo samosoznaniia: tvorcheskaia refleksiia v literaturnom proizvedenii: ucheb. posobie. Kemerovo: Izd-vo KemGU, 1992. 82 s.

3. Ibatullina G.M. Ispovedal’nost’ i refleksiia v strukture literaturnogo teksta: paradigma vzaimootnoshenii i puti ee izucheniia // Gumanitarnye nauchnye issledovaniia. 2020. No. 2. URL: http://human.snauka.ru/2020/02/26397 (10.02.2022).

4. Khatyamova M.A. Formy literaturnoi samorefleksii v russkoi proze pervoi chetverti XX veka. Moscow: Iazyki slavianskoi kul’tury, 2008. 328 s.

5. Ibatullina G.M. Skvoz’ prizmu obraza: khudozhestvennaia refleksiia v poetike russkoi literatury XIX–XX vv.: monografiia. Ufa: Gilem, 2013. 320 s.

6. Koptelova N.G. “Snegurochka” A.N. Ostrovskogo v khudozhestvennoi refleksii A. Bloka // Shakhmatovskii vestnik / otv. red. I.S. Prikhodko. Moscow: Nauka, 2008. Vyp. 9. S. 166–172.

7. Khadynskaya A.A. Formy avtorskoi refleksii v lirike G. Adamovicha // Kul’tura i tekst. 2021. No. 1 (44). S. 31–42.

8. Aryev A.Yu. Primechaniia // Stikhotvoreniia / Georgii Ivanov. Moscow; St. Petersburg: Nestor-Istoriia, 2021. S. 485–732.

9. Tarasova I.A. Zhanr dnevnika v poezii Georgiia Ivanova // Zhanry rechi. 2009. No. 6. S. 364–375.

10. Dyakina A.A. Lichnost’ i tvorchestvo M.Yu. Lermontova v otsenke russkoi emigratsii // FILOLOGOS. 2008. No. 1–2 (4). S. 123–137.

11. Solovyev V.S. Stikhotvoreniia. Estetika. Literaturnaia kritika. Moscow: Kniga, 1990. 574 s.

12. Tyupa V.I. Khudozhestvennyi diskurs: (vvedenie v teoriiu literatury). Tver’: Tverskoi gosudarstvennyi universitet, 2002. 80 s.

13. Ivanov G. Stikhotvoreniia. Moscow; St. Petersburg: Nestor-Istoriia, 2021. 784 s.

14. Aryev A.Yu. “Poka dogorala svecha”: (o lirike Georgiia Ivanova) // Stikhotvoreniia / Georgii Ivanov. Moscow; St. Petersburg: Nestor-Istoriia, 2021. S. 5–110.

15. Zvereva T.V. “Siianie Vatto” v poezii Georgiia Ivanova // “Gde prodlevaiutsia letiashchie mgnoveniia”: zhivopisnye aspekty russkoi literatury: monografiia / T.V. Zvereva. Izhevsk: Izdatel’skii tsentr “Udmurtskii universitet”, 2017. S. 97–115.

16. Benua A.N. Antuan Vatto // Khudozhestvennye sokrovishcha Rossii. 1901. T. 1. S. 86.

17. Romanova A.G. Otzvuki melodii Antuana Vatto v lirike Georgiia Ivanova // Rossiia — Frantsiia. Alliance kul’tur: materialy XXII Tsarskosel’skoi nauchnoi konferentsii: v 2 ch. St. Petersburg: Serebrianyi vek, 2016. Ch. 2. S. 129–138.

18. Markov A.V. “Kapriznitsa” Antuana Vatto: sreda samoopredeleniia sovremennoi russkoi poezii // Praktiki i interpretatsii. 2019. No. 4 (2). S. 67–77.

19. Filosofov D.V. Teatral’nye zametki. Chaika // Mir iskusstva. 1902. T. 8. No. 11. S. 46–51.

20. Toporov V.N. Roza // Mify narodov mira: entsiklopediia: v 2 t. / gl. red. S.A. Tokarev. T. 2: K — Ia. Moscow: Sovetskaia entsiklopediia, 1982. S. 386–387.

21. Koptelova N.G. Problema retseptsii russkoi literatury XX veka v kritike D.S. Merezhkovskogo (1880–1917 gg.). Kostroma: KGU im. N.A. Nekrasova, 2010. 343 s.

22. Merezhkovsky D.S. Polnoe sobranie sochinenii Dmitriia Sergeevicha Merezhkovskogo. T. 16: V tikhom omute. Mscow: Tovarishchestvo I.D. Sytina, 1914. 207 s.

23. Danilovich T.V. Poeziia russkogo zarubezh’ia: tvorchestvo G. Ivanova v aspekte intertekstual’nogo analiza // Nauka o literature v XX veke: (istoriia, metodologiia, literaturnyi protsess): sb. st. Moscow: INION RAN, 2001. S. 201–217.

24. Fediakin S.R. Mifotvorchestvo Georgiia Ivanova // Literaturovedcheskii zhurnal. 2021. No. 2 (52). S. 86–122.

25. Aryev A. Svoe v chuzhom // Zvezda. 2019. No. 11. S. 245–261.

26. Lermontov M.Yu. Sobranie sochinenii: v 4 t. T. 1: Stikhotvoreniia. 1828–1841 / otv. red. V.A. Manuilov; podgot. teksta, komment. T.P. Golovanovoi i dr. Leningrad: Nauka. Leningr. otd‑nie, 1979. 655 s.

27. Khadynskaya A.A. Poetika telesnosti v lirike Georgiia Ivanova // Vestnik Viatskogo gosudarstvennogo gumanitarnogo universiteta. 2015. No. 2. S. 80–87.

28. Berkov V.P., Mokienko V.M., Shulezhkova S.G. Bol’shoi slovar’ krylatykh slov russkogo iazyka: okolo 4000 edinits. Moscow: Russkie slovari: Astrel’: Ast, 2005. 623 s.