Between the Madonna and the Great Harlot: lessons of symbolism in the poet-ic world of D. Andreev

https://doi.org/10.20339/PhS.6-19.070 

Yakovlev Mikhail V.,

Doctor of Philology, Professor 

of the Russian Language and Literature Department

State University of Humanities and Technology

e-mail: 79104310619@yandex.ru  

The article is devoted to the study of some aspects of the symbolism of Femininity in the works of individual poets-symbolists of the second wave and the development of their traditions in the mythopoetics of D. Andreev. As a result of generative, comparative and complex hermeneutic analysis of the works, the duality of lyrical intuition and, accordingly, the artistic embodiment of the symbol of Femininity is established. The ambiguity of female images is interpreted in the system of apocalyptics and Russian messianism. Metatextuality the specifics of the interpretation of female images of the arch-typical forms the subtext and historiosophical context of the work analyze poets.

Keywords: symbol, Apocalypse, Femininity, Madonna, Harlot, Church, Russia.

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