Your shopping cart is empty.
Log in

‘It was me who walked past myself': subject uncertainty in Oleg Grigoryev’s poetry

A. Bokarev
$2.50

 

https://doi.org/10.20339/PhS.4-20.064   

 

Bokarev Aleksey S.,

Candidate of Philology, Senior Teacher of the

Russian Literature Department

Ushinsky Yaroslavl State Pedagogical University 

e-mail: asbokarev@mail.ru

 

The article addresses the subject field of the poetry by Oleg Grigoryev, an outstanding representative of the literary underground of the late 20th century, in respect of a relation between ‘I’ and ‘Other’. Proofs are supplied that the hero’s awareness in his verses is linked by dialogues with that of the author as a single interpersonal entity, while the border between the role-related and autopsychological lyric poetry becomes problematic. This process results into a specific subject uncertainty emerging from a weak differentiation between texts ‘for children’ and ‘for adults’, multiplicity of in-role embodiments of self determined by a single thinking pattern and by virtue of perceiving the world as a syncretic whole embodied in motifs of dualism and metamorphism. A detailed analysis of verses ‘The Hors’ (‘Loshad’’), ‘The Wire’ (‘Provoloka’), ‘The Soul’ (‘Dusha’) and others makes it possible to show specific ‘mechanisms’ of formation of subjective uncertainty, i.e. transformation of ‘the individual’ into ‘the collective’ and ‘another’s’ into ‘my own’. In the system of coordinates established by O. Grigoryev, each ‘partner in life’, be it a child playing in the courtyard or a neighbour queuing up for alcohol, is perceived as a mental equivalent of self, while recognizing oneself in ‘Other’ (or ‘Other’ in oneself) becomes a steady plot drifting from one work into another.

Keywords: O. Grigoryev, primitivism, subject structure, subject uncertainty, ‘I’ and ‘Other’, dialogue-based relations in lyric poetry.

 

References

1.         Annenskii I. F. Balmont-lirik // Annenskii I.F. Knigi otrazhenii. Moscow: Nauka, 1979. S. 93–122.

2.         Bakhtin M.M. Avtor i geroi v esteticheskoi deiatel’nosti // M.M. Bakhtin. Sobranie sochinenii v semi tomakh. Moscow: Russkie slovari; Iazyki slavianskoi kul’tury; Iazyki slavianskikh kul’tur, 1997–2012. T. 1. S. 69–263.

3.         Broitman S.N. Istoricheskaia poetika // Teoriia literatury: Ucheb. pos. V 2 t. Moscow: Izdatel’skii tsentr “Akademiia”, 2004. T. 2.

4.         Broitman S.N. Liricheskii sub”ekt // Vvedenie v literaturovedenie: Ucheb. pos. / рod. red. L.V. Chernets. Moscow: Vyssh. shk., 2004. S. 310–322.

5.         Viazmitinova L.G. V poiskakh utrachennogo ‘Ia’ // Novoe literaturnoe obozrenie. 1999. No. 39. S. 271–280.

6.         Grigor’ev O. Ptitsa v kletke. St. Petersburg: Izd-vo Ivana Limbakha, 2015.

7.         Davydov D.M. Primitivizma poetika // Poetika: slovar’ aktual’nykh terminov i poniatii. Moscow: Izd-vo Kulaginoi; Intrada, 2008. S. 186–187.

8.         Davydov D.M. Russkaia naivnaia i primitivistskaia poeziia: genezis, evoliutsiia, poetika: avtoref. dis. ... kand. filol. nauk. Samara, 2004.

9.         Ermolin E.S poeziei chto // Znamia. 2016. No. 9. S. 191–194.

10.       Zhitenev A.A. Estetika i poetika chernogo iumora: lirika O. Grigor’eva // Vestnik Voronezhskogo gosudarstvennogo universiteta. Seriia: Filologiia. Zhurnalistika. 2009. No. 1. S. 39–42.

11.       Zabolotskii N.A. Metamorfozy. Moscow: OGI, 2014.

12.       Kargashin I.A. Russkii stikhotvornyi skaz XVII–XXI vv.: Genezis. Evoliutsiia. Poetika. Moscow: Izdatel’skii dоm “Iazyki slavianskoi kul’tury”, 2017.

13.       Korman B.O. Tselostnost’ literaturnogo proizvedeniia i ekspe-rimental’nyi slovar’ literaturovedcheskikh terminov // Korman B.O. Izbrannye trudy. Metodika vuzovskogo prepodavaniia literatury. Izhevsk: Izd-vo Udmurtskogo universiteta, 2009. S. 683–702.

14.       Kukulin I.V. Zametki po sledam stat’i Liudmily Viazmitinovoi. O stikhakh Dmitriia Vodennikova. URL: http://www.litkarta.ru/dossier/kukulin-o-vodennikove (12.06.2019).

15.       Kulakov V.G. Poeziia kak fakt. Stat’i o stikhakh. Moscow: Novoe lite-raturnoe obozrenie, 1999.

16.       Kuchina T.G. Poetika ‘Ia’-povestvovaniia v russkoi proze kontsa XX – nachala XXI v. Iaroslavl: Izd-vo IaGPU, 2008.

17.       Levin Iu.I. Lirika s kommunikativnoi tochki zreniia // Levin Iu.I. Izbrannye trudy. Poetika. Semiotika. Moscow: Iazyki russkoi kul’tury, 1998. S. 464–480.

18.       Leiderman N.L., Lipovetskii M.N. Sovremennaia russkaia literatura: 1950–1990-e gody: posobie dlia stud. vuzov: V 2 t. Moscow: Izdatel’skii tsentr “Akademiia”, 2003. T. 1.

19.       Leukhina A.V. Literaturnyi primitivizm: estetika i poetika: avtoref. dis. ... kand. filol. nauk. Samara, 2010.

20.       Tun F. Sub”ektivnost’ kak granitsa: Tsvetaeva, Akhmatova, Pasternak. URL: http://www.ruthenia.ru/logos/number/2001_3/06_3_2001.htm (12.06.2019).

21.       Khvorost’ianova E.V. Poetika Olega Grigor’eva. St. Petersburg: ITs “Gumanitarnaia Akademiia”, 2002.

22.       Shmid V. Narratologiia. 2-e izd., ispr. i dop. Moscow: Iazyki slavian-skoi kul’tury, 2008.

23.       Iur’ev O. Otstoianie. “Letnii den’” Olega Grigor’eva kak initsial’nyi tekst nesluchivsheisia literatury // Novoe literaturnoe obozrenie. 2014. No. 2(126). S. 279–288.

24.       Iasnov M. Vosled ukhodiashchei epokhe // O. Grigor’ev. Ptitsa v kletke. St. Petersburg: Izd-vo Ivana Limbakha, 2015. S. 7–19.

25.       Iasnov M. Predislovie // O. Grigor’ev. Stikhi. Risunki. St. Petersburg: Notabene, 1993. S. 3–12.