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http://dx.doi.org/10.20339/PhS.2-16.059
Perkhin Vladimir V.,
Doctor of Philology,
Professor at Department of History of Journalism at Higher School of Journalism and Mass Communication
Saint Petersburg State University
E-mail: perhin-vlad@yandex.ru
The article is devoted to the activities of the “Theatre magazine of the literature and artistic society”. It dwells on the views of the publisher (A.S. Suvorin) and editor (B.S. Glagolin), who were able to collaborate with other authors, uniting the artistic achievements of realism classics and innovators of the early twentieth century. The article describes the evolution of the magazine from mono-theatre to poly-artistic and participation in this process of N.S. Gumilev, M.A. Voloshin, M.A. Kuzmin, A.N. Tolstoy, V.V. Rozanov, N.N. Yevreinov, Vs.E. Meyerhold. The above-mentioned authors had their works published in the magazine during the year of 1909, switched to another magazine, founded by S.K. Makovsky, later on and went on with the ideas and the style of the works that had appeared in the magazine of A.S. Suvorin, which can be therefore considered as one of the predecessors of the “Apollo” magazine.
Keywords: “Theatre magazine of the literature and artistic society”, the “Apollo” magazine, A.S. Suvorin, B.S. Glagolin, N.S. Gumilev, M.A. Voloshin, M.A. Kuzmin, A.N. Tolstoy, V.V. Rozanov, beauty, national identity.
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