Your shopping cart is empty.
Log in

The golden section in the Roman epic (based on the material of Statius’ “Thebaid”)

A.V. Kotova, E.V. Vaseva
80,00 ₽

UDC 81`42:821'124-1

DOI  10.20339/PhS.1-24.046    

 

Kotova Anastasiya V.,

Candidate of Philology,

Associate Professor of the Foreign Languages Department

St. Petersburg State University of Veterinary Medicine

e-mail: anastakot@gmail.com

Vaseva Evgeniya V.,

Assistant of the Foreign Languages Department

St. Petersburg State University of Veterinary Medicine

e-mail: supreme.jane@gmail.com

 

Golden section poetic phenomena studies comprise a wide range of topics, starting from basic prosodic elements to the work’s entire composition structure. The primary purpose of this paper is to establish the connection between the golden section and the literary composition and form and to analyze it on the material of the episode of aristeia and katabasis of Amphiaraus in Statius’ “Thebaid” (VII, 690–823). The following objectives are included: to define and measure the segments of the golden section; to determine the marking points dividing the segments which, as a rule, contain salient features — literary devices, hero’s speech, poet’s apostrophe etc.; to identify the functions and role of the golden section in the episode’s composition. The methodology uses general scientific methods such as philological textual analysis and mathematical tools. The supportive research is grounded on parallel comparison of episodic structure, framed by visual techniques and segment dividing points. It is observed that proportional segmentation is achieved by typical epic techniques such as epitaph or catalogue of victims serving the closing part of the narrative. As for the simile’s structural functions, they mark the poetic period by opening and, more frequently, ending it and highlight the culmination moments functioning similar to the hero’s speeches. The overall examination concludes that the golden section in “Thebaid” manifests itself with striking precision in relation to separate parts and to the whole poem as well. Similarly, it applies to corresponding stages of emotional tension and moments of culmination and the correlating literary devices and techniques. The utilization of the golden section provides the symmetrical composition and the triadic structure of the episode, demonstrating the poetic skillfulness of Statius and mastery of attracting the reader’s attention to the most significant points.

Keywords: Roman epic tradition, Statius, “Thebaid”, golden section, aristeia, Amphiaraus’ katabasis.

 

References

1.         Literaturnaia entsiklopediia terminov i poniatii / gl. red. i sost. A.N. Nikoliukin. Moscow: Intelvak, 2001. 799 s.

2.         Eizenshtein S.M. Izbrannye proizvedeniia: v 6 t. T. 3 / sost. P.M. Atasheva i N.I. Kleiman. Moscow: Iskusstvo, 1964. 672 s.

3.         Rakitin V.I., Pervushin V.E. Prakticheskoe rukovodstvo po metodam vychislenii c prilozheniem programm dlia personal’nykh komp’iuterov. Moscow: Vysshaia shkola, 1998. 383 s.

4.         Zeising A. Neue lehre von den proportionen des menschlichen körpers, aus einem bisher unerkannt gebliebenen, die ganze natur und kunst durchdringenden morphologischen grundgesetze entwickelt und mit einer volständigen historischen uebersicht der bisherigen systeme begleitet. Leipzig: R. Weigel, 1854. 492 p.

5.         Rozenov E.K. Zakon zolotogo secheniia v poezii i v muzyke // Garmoniia i simmetriia: iazyk, poeziia, garmoniia, simmetriia glazami uchenykh, uroki simmetrii / K.E. Shtain, D.I. Petrenko. Stavropol; Rostov n/D.: Kniga, 2015. S. 382–406.

6.         Grigoryev Yu.A., Martynenko G.Ya. Tipologiia posledovatel’nostei Fibonachchi: teoriia i prilozheniia: vvedenie v matematiku garmonii. Saarbrücken: LAP LAMBERT Academic Publishing, 2012. 298 s.

7.         Tsereteli G.V. Metr i ritm v poeme Rustaveli i voprosy sravnitel’noi versifikatsii // Kontekst: literaturno-teoreticheskie issledovaniia. 1974. T. 1973. S. 114–137.

8.         Gordon D. From Cheop’s pyramid to homer and pound: The Golden Caesura // Paideuma: Modern and Contemporary Poetry and Poetics. 1991. Vol. 20. No. 1-2. P. 107–111.

9.         Zarker J.W. Catullus 18–20 // Transactions and Proceedings of the American Philological Association. 1962. Vol. 93. P. 502–522.

10.       Florensky P.A. Sochineniia: v 4 t. T. 3 / cost. igumena Andronika (A.S. Trubacheva), P.V. Florenskogo, M.S. Trubachevoi; red. igumen Andronik (A.S. Trubachev). Moscow: Mysl’, 2000. 621 s.

11.       Duckworth G.E. Mathematical Symmetry in Vergil’s Aeneid // Transactions and Proceedings of the American Philological Association. 1960. Vol. 91. P. 184–220.

12.       Vasiutinsky N.A. Zolotaia proportsiia. Moscow: Molodaia gvardiia, 1990. 238 s.

13.       Abramov M.A. Strukturno-statisticheskii analiz patternov zolotogo secheniia i zerkal’noi simmetrii v stikhotvoreniiakh A.S. Pushkina: (opyt kvantitativnoi kul’turologii): avtoref. dis. … kand. kul’turologii. Saratov, 1999.

14.       Shtain K.E. Garmoniia poeticheskogo teksta. Sklad. Tkan’. Faktura. Stavropol: Izd-vo Stavropol’skogo gos. un-ta, 2006. 645 s.

15.       Sonin A.S. Postizhenie sovershenstva: simmetriia, asimmetriia, dicsimmetriia, antisimmetriia. 2-e izd., ispr. Moscow: Knizhnyi dom “Librokom”, 2014. 208 s.

16.       Kotova A.V. Sravneniia v rechi povestvovatelia i personazhei kak traditsionnye elementy stilia epicheskogo teksta (na materiale “Eneidy” Vergiliia) // Studia Litterarum. 2022. T. 7. No. 3. S. 84–109. DOI 10.22455/2500-4247-2022-7-3-84-109.

17.       Dewar M. Statius, Thebaid IX. Oxford: Oxford University Press, 1991. XLIX, 232 p.

18.       Smolenaars J.J.L. Statius. Thebaid II: A sommentary. Leiden; New York; Cologne: Brill, 1994. XLII, 462 p.

19.       Simms R. Anticipation and Anachrony in Statius’ Thebaid. London: Bloomsbury Academic, 2020. 208 p.

20.       Mazel L.A. Stroenie muzykal’nykh proizvedenii. 2-e izd., dop. i pererab. Moscow: Muzyka, 1979. 534 s.

21.       Hall J.B., Ritchie A.L., Edwards M.J.P. Papinius Statius. Thebaid and Achilleid. Vol. I: Text and Critical Apparatus. Newcastle: Cambridge Scholars Publishing, 2007. XXXVIII, 441 p.

22.       Jäger N. Amphiaraus: Ritual und Schwelle in Statius’ “Thebais”. Berlin; Boston: De Gruyter, 2020. IX, 262 s.

23.       Williams G. Technique and Ideas in the Aeneid. New Haven: Yale University Press, 1983. X, 301 p.

24.       Smith B.H. Poetic closure: A study of how poems end. Chicago: University of Chicago Press, 1968. XVI, 289 p.

25.       Zissos A. Closure and segmentation: Endings, medial proems, book divisions // Structures of Epic Poetry. Vol. I: Foundations / eds. Ch. Reitz, S. Finkmann. Berlin; Boston: Walter de Gruyter, 2019. P. 531–564.

26.       Lozano A.L. Los símiles en la Tebaida de Estacio // Habis. 1986. No. 17. P. 165–184.

27.       Statsiy P.P. Fivaida / podgot. teksta: S.V. Shervinsky i dr.; per. Yu.A. Shichalina; primech. E.F. Shichalinoi. Moscow: Nauka, 1991. 352 s.

28.       Williams G. Change and decline. Roman literature in the early empire. Berkeley: University of California Press, 2021. 354 p.

29.       Raabe H. Plurima mortis imago. Vergleichende Interpretationen zur Bildersprache Vergils. München: Beck, 1974. 263 p.