The philosophical anthropology of the novel “Anna Karenina” by Leo Tolstoy in the intermedial domain of cinema (in the films “Anna Karenina” by A. Zarkhi & “Leo Tolstoy’s Anna Karenina” by B. Rose)

https://doi.org/10.20339/PhS.3-17.095

Aseeva Svetlana A.,

Post-graduate student of the Department of Russian literature

Faculty of Philology

Lomonosov Moscow State University

e-mail: fleur1988@mail.ru

The article considers the system of Leo Tolstoy’s philosophical views in «Anna Karenina» and its reflection in the films by A. Zarkhy and by B. Rose. The author pays special attention to the main categories of Tolstoy’s philosophical antropogy: birth, death, love and nature.

Keywords: Leo Tolstoy, «Anna Karenina», philosophical antropology, intermediality, cinema.

References

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Films

1. Anna Karenina [Video]. Directed by A.G. Zarkhi, USSR. Starring: T. Samoylova, V. Lanovoy, N. Gritsenko and others. Moscow, Mosfilm, 1968.

2. Leo Tolstoy’s Anna Karenina [Video]. Directed by Bernard Rose, USA, Starring: Sophie Marceau, Sean Bean, Alfred Molina, Mia Kirshner, James Fox, Warner Bros., 1997.