“In which there is absolutely no flaw”: Philosophical understanding of the phe-nomenon of women in the poetry of Yuri Vizbr

Vostrikov Igor V.,

Candidate of Philosophy,

Associate Professor of the Philosophy, Cultural Studies and

Sociology Department

Astrakhan State University named after V.N. Tatishchev

e-mail: igvladvost@mail.ru

The article is devoted to the consideration and analysis of the attitude to the phenomenon of women in the poems of the Soviet bard, journalist and film actor Yuri Vizbor. It is established that the image of a woman runs through almost all of the poet’s work of the 1950s and 1980s, reflecting his personal relationship with the female sex in specific periods of Vizbor’s life, the positive sides and difficulties of these relationships. At the same time, the woman in the poetic material analyzed by us is shown by the author in most cases, in a positive way, but not without flaws, which, however, a man in love can “close his eyes to”. It causes a kind surprise to the poet, like an unsolved mystery. We have made an attempt to show a holistic image of the “Vizborovskaya” woman, which is organically included in other topics raised by the poet: about friendship, work, human hobbies and life collisions in general. The theme of a woman in the poems of Soviet bards is quite popular, however, Yu. Visor, she comes to the fore, revealing not only the poet’s personal view of the beautiful half of humanity, but also showing the fate of a woman in a specific space-time dimension of the Soviet era.

Keywords: Yuri Vizbor’s poetry, the image of a woman, the philosophy of love, the virtues of women, the shortcomings of women

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