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Ovcharenko Alexey Yu.,
Doctor of Philology,
Professor of the Russian Language and Linguoculturology Department
Institute of the Russian Language
Patrice Lumumba Peoples’ Friendship University of Russia
е-mail: ovcharenko_ayu@pfur.ru
ResearcherID: Z-3696-2019, https://orcid.org/0000-0002-8544-5812
The article raises the problem of A.A. Grigoriev’s creative destiny, its reception in the twentieth century. Russian historians have studied quite well the perception of his texts by his contemporaries, the choice of the median line of socio-literary behavior, the creation of “organic” criticism, Grigoriev as a poet, Grigoriev as a novelist, Grigoriev as a memoirist, literary and theatrical critic, then the choice and actualization of the basic theoretical principles of “sincerity”, in particular first of all, especially in transitional epochs, primarily after 1917 and during the era of the “thaw”, it has not been studied. The transitional epochs within the “short twentieth century” brought to life precisely sincerity, which goes beyond the literary principle and becomes a socio-aesthetic concept. The main attention is paid to the era of the “big twenties”, since it was at this time that the future literary canon of the new society was being formed. The article substantiates the choice of “organic criticism”, and its important constituent concept is “sincerity” precisely in the transitional epochs of historical, political and historical and cultural development. The development of this concept can be traced to “sincerity” according to D.A. Prigov and D. Vodennikov, which requires a separate study.
Keywords: Apollon Grigoriev, “sincerity”, transitional epochs, history and reception of ideas
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