Your shopping cart is empty.
Log in

The Crimean Tatar world in the “Sun of the Dead” by I.S. Shmelev

Xue Chen
$2.50

UDC 821.161.1-31

https://doi.org/10.20339/PhS.2-23.072               

 

Xue Chen,

Candidate of Philology,

Senior Lecturer of the Russian Language and Literature Department

Pedagogical University of Central China (Wuhan, China)

e-mail: xuechen0430@yandex.ru

 

The purpose of the article is to examine the Crimean Tatar world depicted by I.S. Shmelev in the story “The Sun of the Dead” in an imagological aspect; to show the relationship of representatives of various nationalities living in the Crimea during the Civil War. The content of the study is an analysis of the Crimean Tatar image in Shmelev’s story and a description of intercultural communication in Crimea. The analysis reveals the ethnocultural specifics of Russian and Tatar in the historical and literary context, shows the convergence and unification of different ethnic groups and faiths at a crucial social moment.

Keywords: crimean tatars, national image, being, I.S. Shmelev.

 

References

1.         Kurianova V.V. Krymskii tekst v tvorchestve L.N. Tolstogo: monografiia. Simferopol’: Biznes-Inform, 2015. 220 s.

2.         Kurianov S.O. “Tainyi kliuch russkoi literatury”: formirovanie i stanovlenie krymskogo teksta v russkoi literature X–XIX vekov. Moscow: INFRA-M, 2019. 308 s.

3.         Gomer. Odisseia / vstup. st. S. Markisha; primech. S. Osheriva. Moscow: Eksmo, 2018. 702 s.

4.         Pushkin A.S. Evgenii Onegin // Sobranie sochinenii: v 10 t. T. 4. Moscow: Goslitizdat, 1960. S. 5–20.

5.         Pushkin A.S. Bakhchisaraiskii fontan // Sobranie sochinenii: v 10 t. T. 3. Moscow: Goslitizdat, 1960. S. 143–158.

6.         Solntseva N.M. Ivan Shmelev. Zhizn’ i tvorchestvo: zhizneopisanie. Moscow: Ellis Lak, 2007. 512 s.

7.         Emirova A.M. “Solntse mertvykh”: krymskaia tatarskaia tema v tvorchestve I.S. Shmeleva // Brega Tavridy. 1995. No. 4–5. S. 213–215.

8.         Gachev G.D. Natsional’nye obrazy mira. Evraziia — kosmos kochevnika, zemledel’tsa i gortsa. Moscow: Institut Di-Dik, 1999. 368 s.

9.         Sheshunova S.V. Natsional’nyi obraz mira kak kategoriia etnopoetiki russkoi slovesnosti // Natsional’nyi obraz mira i mezhkul’turnaia kommunikatsiia v tvorchestve I.S. Shmeleva. Moscow: Lenand, 2017. 200 s.

10.       Zakharov V.N. Russkaia literatura i khristianstvo // Evangel’skii tekst v russkoi literature XVIII‒XX vekov. 1994. Vyp. 3. S. 5–10.

11.       Shmelev I.S. Solntse mertvykh // Sobranie sochinenii: v 5 t. T. 1. Moscow: Russkaia kniga, 1998. S. 453–636.

12.       I.S. Shmelev i O.A. Bredius-Subbotina. Roman v pis’makh: v 2 t. T. 1: 1939‒1942 / predisl., podgot. teksta, primech. O.V. Leksinoi, S.A. Martiyanovoi, L.V. Khachaturyan, A. Golubkovoi. Moscow: Ros. polit. entsiklopediia, 2003. 760 s.

13.       Ablaeva A.T. “Chuzhaia zemlia, tatarskaia”: krymsko-tatarskii mir v tvorchestve I.S. Shmeleva // Vestnik Udmurtskogo universiteta. 2017. T. 26. Vyp. 2. S. 19–22.

14.       Bogoyiavlenskayia I.M. “I sokhranitsia ogon’ v svetil’nike”: skazka I. Shmeleva “Golos zari” // Krymskii arkhiv. 1999. No. 4. S. 189–191.

15.       Shmelev I.S. Niania iz Moskvy // Sobranie sochineii: v 5 t. Moscow: Russkaia kniga, 1998. T. 3. S. 11–190.

16.       Ermakov I. Islam v russkoi literature XV–XX vv. Moscow: Kompaniia “Sputnik”, 2000. 184 s.

17.       Soloviev V.S. Velikii spor i khristianskaia politika. Moscow: Eksmo-Press: Folio, 1999. 138 s.