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https://doi.org/10.20339/PhS.1-20.072
Zharkynbekova Sholpan K.,
Doctor of Philology, Professor of theTheoretical and
Applied Linguistics Department,
Gumilyov Eurasian National University
e-mail: zharkinbekova_shk@enu.kz ; zharkyn.sh.k@gmail.com
Urazayeva Kuralai B.,
Doctor of Philology, Professor of the Russian Philology Department,
Gumilyov Eurasian National University
e-mail: kuralay_uraz@mail.ru
Topicality of the problem is specific to the study of the dual eventivity structure, in case of dichotomy with the notions of event / non-event. It happens when non-incident, but possible event gives the basis of the plot of a non-event notion, transforming the main feature of the work which contains the motive of crime / murder.
Pushkin’s psychological skills and literary discoveries of drama genre did not become a subject of study in the aspect of discourse competence of episodic and for-mentioned characters in A. Pushkin’s “Little Tragedies”. The desire to justify this approach allowed identification of the relationship between motivation and authentic event transmitting the meta-plot of crime / murder to the status of non-event. The motive of “wrong reading” as a boundary between event and non-event notions and narrative and discursive competencies of the characters as part of their communication strategies are analyzed, the factors of transformation of crime / murder plot into non-event are indicated. The article describes the paradigmatic and syntagmatic stages of the narrative discourse descriptive model. Aim of the following study is to create a theoretical model of the notion of event on the basis of a descriptive model that makes the meta-plot of crime / murder the object of the description in the aspect of dichotomy with the notions of event / non-event and explain the prevalence of discursive competence over narrative one on the material of A. Pushkin’s “Little Tragedies”. The authors of the following study applied structural-semantic, functional and pragmatic approaches. In response to the obtained results it is possible to complete and clarify the idea of literary strategies of drama genre developed by A. Pushkin.
Keywords: Pushkin, “Little Tragedies”, narrative competence, discourse competence, meta-plot, crime, murder, non-event.
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