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Theatricality as a way of representation of history in the novel B. Okudzhava's “Rendezvous with Bonaparte”

E.N. Matiushkina
$2.50

 

https://doi.org/10.20339/PhS.3-17.090

 

Matiushkina Ekaterina N.,

Ph.D. in Philology, Associate Professor,

Department of Russian language and literature

St. Petersburg State University of Economics

e-mail: ekaterina-matyush@yandex.ru

 

In the article, theatricality is considered as one of the leading principles of narrative prose B. Okudzhava, as the author's representation of historical reality, based on the involvement of the «private» person events. Thanks to the discovery in the novel, the «musical» and «poetic» theatricality, it becomes possible to description of the special lyrical attitude of the heroes of the writer.

Key words: B. Okudzhava, historical novel, the theatricality, the liability, «private» person.

 

References

 

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2.           Karyagin, A.A. Drama kak esteticheskaya problema. Moscow: Nauka, 1971, 224 p.

3.           Lotman, Yu. Teatr i teatral'nost' v stroe kul'tury nachala XIX veka. In: Lotman, Yu. Selected articles in 3 vols. Vol. 1. Tallin, 1992, p. 269–286.

4.           Bart, R. Selected works: Semiotics. Poetics. Moscow: Progress, 1989, 615 p.

5.           Okudzhava, B. XX vek: vekhi istorii — vekhi sud'by. Anketa. Druzhba narodov, 1997, no. 4, pp. 189–191.

6.           Belaya, G. Bulat Okudzhava, vremya i my. In: Okudzhava, B. Selected works in 2 vols. Moscow, 1989. Vol. 1, pp. 3–24.

7.           Okudzhava, B.Sh. Svidanie s Bonapartom. In: Selected works in 2 vols. Moscow: Sovremennik, 1989. Vol. 1, pp. 265–527.

8.           Tazetdinova, R.R. Teatral'nost' kak fenomen v bytii kul'tury: Author’s. abstr. dis. (Dr. Sci. in Philol.). Kazan', 2013, 44 p.